Archives for the month of: June, 2009

Journalism is Dead

The online world has presented some unique challenges to journalism. Readership of print media is falling in most developed countries (paradoxically, it’s rising in India), but readership of online news outlets is going up. So much so that US newspapers such as the Seattle Post-Intelligencer has stopped print runs and exists solely online, while others such as the Christian Science Monitor have only weekend print runs.

The future of journalism is something which should bother us end-users too. So far, a viable alternative to the current ‘giving things away for free’ model for online journalism hasn’t been found. Even for media behemoths with large online presence such as the New York Times, finding advertisers in such difficult times has been quite a challenge.

A few journalists and analysts in the media field have come together to write a book titled Journalism is Dead. Featuring articles from multiple top journalists, it’s a must-read for those interested in media and news in general. You can read up individual articles, or even browse through the book itself. Discussions range from case studies to potential new models such as micropayments and subscription models has been discussed.

An interesting point raised in Journalism is Dead is that while larger media houses will survive, smaller ones must innovate to stay afloat. And the way it suggests to go about this is to create unique local content. It’s a good idea, but I don’t think that itself will save them. Another point raised is that while the going was good, most media houses simply didn’t make strong strides in the digital media field.

Journalism is Dead authors sound pretty pissed off, and genuinely believe that micropayments / subscriptions can save their boat from sinking. I don’t think so. For the past so many years, the Internet has offered access to free information for so many people that the free, advertising supported model isn’t going away. I feel that subscriptions only work for highly niche fields, like someone subscribing to the online version of Science. Or quite a few other magazine for that matter – but magazine content is something periodical, say weekly or monthly. People will be willing to pay for that, but not for daily news. There are too many free outlets for daily news right now to shift to a paid model. Try shifting to a paid model, and your media outlet is dead. Maybe not in the long term ‘free’ with the current setup is not possible, but there will be startups who capitalize and take away traffic with free offerings.

A major problem is that most newspapers (and people working in them) don’t ‘get’ new media. For them ‘blogging’ is this weird thing which, if at all it needs to be touched, needs to be touched with a 60-foot pole. New media is so much more performance oriented, and they simply do not get it. In a newspaper you can slap an ad on anywhere and still get paid for it. Look at the hundreds of classifieds. Is each and every one of those advertisers getting value for money? Some are, all aren’t. Online publications have to ensure performance of ads, because they get paid for clicks. Traditional print media companies think that just slapping on ads to a web page is the end of the story. It isn’t. It’s about optimum placement of ads with optimum colors being used et al. Simply changing the background color of an ad can make a difference in the number of clicks being received! And it is these small things that most traditional media firms just don’t get.

What I feel is that journalism is not going to be dead, but it will change its form. Gone will be the days of huge organizations with hundreds of staff on roll. I see journalism as a profession becoming more of a freelance job. People will pay to consume in formats such as Amazon Kindle and cellphones, but by and large as the focus shifts to digital media, media outlets will have to adopt leaner models. There will be nuclear team behind the operational running of a website – a few editors, a few web admins, a few graphic designers – but a majority of tasks will get done by reporters working on their own and filing stories for multiple outlets for a one-time fee. It happens these days too on a much smaller scale. However as media firms strip down to leaner organizations, emphasis will be laid on individual performance. And this model does work. Take Gawker Media for instance. They have a lean team behind their network of blogs, raking in millions in advertising revenue (significant when divided amongst few), and performance bonuses are based on traffic brought in by the stories filed.

In specialized fields which won’t and can’t survive on advertising, subscription models will come into play. Micropayments isn’t gonna happen unless media outlets can decide on a universal payment processing system – which is a laughable dream. Micropayments are going to crop, propietary systems made by different media cartels…and then die a miserable death because they will never be able to reach a consensus on one system to adopt.

Do check out Journalism is Dead. It’s cute how traditional media folk stumble around trying to understand this thing called the Internet.

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Code Of Ethics

Good Will Hunting movie posterMy rating of Good Will Hunting: B+ (Memorable)
Cast: Matt Damon, Robin Williams, Father Lankester Merrin, Ben Assfleck, Minnie Driver
Directed by: Gus Van Sant
Studio: Miramax Films

Off-late, my intellectual credentials have been called into question on the basis of movies I review on my blog. “Why review only movies which are bad enough to be easily ripped apart?”. The first and foremost answer, of course, is “Fuck you all, this my blog and I’m going to review whatever I want”. The second answer is “That’s what readers enjoy reading anyway”. I do watch so-dubbed ‘intellectual movies’, it’s just that I review them in lesser frequency on my blog.

The real answer lies in the fact that when a movie is good, well, what on earth are you expected to say about it? That it’s good? Praising the direction, cinematography, acting, visuals, sound editing et al turn-by-turn? People who do this for a living, i.e. movie critics, too are at a loss of words when reviewing most good movies. You can’t give the plot away of a good movie, so there isn’t much to do except sneakily trying to increase the word count.

I saw Good Will Hunting recently. Yeah, I know, really old movie and all, critically acclaimed etc etc – but I hadn’t seen it till now. And I must say that I missed a lot earlier. The thing about Good Will Hunting is that it’s not a movie that is original in any way. When screenplay is written by actors and not professional screenwriters, you don’t expect much. (The screenplay is by Matt Damon and Ben Affleck.) But what you do get in exchange is some powerful, moving acting.

The story of this movie is so completely unoriginal that even Disney Channel Recess has used it once – a janitor with super-awesome-brilliant mathematical skills who’s talent gets discovered serendipitously. Matt Damon plays the role of the janitor – a misfit genius trying to find his place in the world. Stellan Skarsgard, for a change, isn’t spouting out Latin words on behalf of the Vatican; he plays the role of a mathematics professor at MIT who ‘discovers’ Will (Matt Damon’s character). The rest of the movie is about how both Damon’s character and Skarsgard’s character try to come to terms with Will’s genius abilities.

Thrown in is a love story with Minnie Driver. (I had a Minnie Driver overdose that day. Just a day before I’d seen this Christian Slater / Morgan Freeman / Minnie Driver starrer titled Hard Rain. It’s a godawful terrible movie. A blot in the name of ‘thrillers’. Minnie Driver reminds me of Jennifer Aniston. I hate Jennifer Aniston. Ergo, I hate Minnie Driver.) Matt Damon acts admirably as a guy dealing with issues who doesn’t want to get emotionally close to anyone. Minnie Driver just grunts and squeals like a pig.

Also in the fray is Robin Williams as a psychiatrist. Skarsgard takes Damon to Robin Williams to help Will sort out his psychological issues. These exchanges between Damon and Williams are the high point of the movie. Both deliver strong performances, and it’s refreshing to see Robin Williams do a non-comedy role so admirably well.

Watch the Good Will Hunting trailer

In the end, Good Will Hunting is this completely unoriginal yet intensely likable movie – purely for the acting. Matt Damon shines through showing the breadth of characters that he can take on. I suggest you also watch The Talented Mr Ripley and The Departed for more stellar performances by Matt Damon. (I give that movie an A+ ‘Oscar-worthy) on my ratings.)