Songs I’ve been listening to on repeat in the past few months (in no particular order)…

1. Icarus by Bastille: From their Flaws single-album release, Icarus is an upbeat, peppy song that contrasts with what the lyrics are about which gives it this weird quality. Sadly their Laura Palmer EP isn’t as good.
   
2. Where Is My Mind by Yoav ft Emily Browning: From the movie OST for Sucker Punch.
   
3. Pete Yorn & Scarlett Johansson: Did you know Scarlett Johansson sings??? In a collaboration album titled Break Up with Pete Yorn, Scarlet Johansson provides backing vocals is pretty good at it. A live performance of Blackie’s Dead seems to show Johansson so uncomfortable with the whole gig business. :D Look at her hands and the way she acts on stage – “I have arms??? And legs??? Well…what am I supposed to do with them???”
   
4. 19-2000 (Soulchild remix) by Gorillaz: Tenth year anniversary of the Gorillaz! If you aren’t a fan of this band yet, this remix should get you hooked! (My other recommendation is Clint Eastwood.)
   
5. deadmau5: The Mickey Mouse hat wearing DJ has been around for a while, 2011 has been a breakout year him. Love the album 4×4=12. Check out Bad Selection. Bonus – this promo gig deadmau5 did for Nokia Lumia’s launch.
   
6. Shuffle by Bombay Bicycle Club: I love the human bicycle they form in this music video!
   
7. Heart Skips A Beat by Olly Murs ft Rizzle Kicks: I am slightly ashamed to admit liking this one. :|
   
8. Mutemath: Normally I prefer studio albums to live recordings. I make an exception for Typical…
   
9. …and Linkin Park‘s performance of New Divide at Moscow’s Red Square. You seriously have NO IDEA how many times I have replayed this video! In fact, the whole Red Square LP gig was EPIC! Watch every single video of it – fancam or ripped from TV telecast – that you can find on YouTube.
   
10. What The Water Gave Me by Florence + The Machine: Florence Welch has such an ethereal voice and her band has been among my favourites for a while now.
    
11. Real Steel soundtrack: Three songs from the film Real Steel have been stuck with me: Make Some Noise (Put ‘Em Up) by The Crystal Method ft Yelawolf; Here’s A Little Something For Ya by Beastie Boys; Give It A Go by Timbaland ft Veronica. PS – I fucking loved the film! PPS – Also check out Yelawolf.
12. Ingrid Michaelson: Listen to her album Be OK. Also, eponymous song.
    
13. AWOLNATION: I have a feeling AWOLNATION is going to blow big within the next couple of years. Very hit-or-miss at the moment. For some reason their single Sail is particularly popular even though I don’t find it appealing; the same goes for their 2011 album Megalithic Symphonies. What I do less-than-three is this one single MF. Fucken. Love. It. This is one song I pump up to full volume, hearing damage be damned!
    
14. Bill Withers: Bill Withers Live at Carnegie Hall is the kind of album gapless MP3 playback was invented for. If I had to take a pick, I’d chose Grandma’s Hands or I Can’t Write Left-Handed. A classic. Fine, it was recorded in 1973, “jazz is not cool”, the guy gives a political lecture at the start of the song…just give it a go, please?
    
15. Entire Sinners Never Sleep album by You Me At Six.
16. The Vaccines: Their first album titled What Did You Expect From The Vaccines? released in 2011. It’s kinda astonishing how quickly they shot to popularity in such a short span of time. Check out Wetsuit and Post Break-Up Sex. (Bonus – At one point in the Wetsuit music video below, you can see “Maurice” / Richard Ayoyade from The IT Crowd crowd-surfing at a concert!)
    
17. Can’t Find My Way Home by Blind Faith: I first heard a 2010 remaster of this song on the TV show Fresh Meat. Sadly, Blind Faith’s other songs are not worth listening as it was a Jesus-music band. (Psst – Eric Clapton was in it.) Disturbing album art cover, too.
    
18. Second To None by Styles of Beyond ft Mike Shinoda: Pump your volume waaaaay up!
    
19. Safari Disco Club by Yelle: Overcomes my hate of French-speaking people. You’ll notice the final scene is a clever way of showing where the album cover comes from.
    
20. The xx: Another hot new indie band. This may be a clichéd choice but if I had to choose one I’d go for Crystalised. Whole album, yada yada.
    
21. The Dharohar Project: A collaboration between Laura Marling, Mumford & Sons, and traditional Rajasthani musicians. The first two themselves are themselves on my favourites list, but with this fusion music album – even though just a couple a songs – is heavenly! Try out Mehendi Rachi.
    
22. Way Away by Yellowcard
    
23. Autotunage by Limp Bizkit: Yeah, yeah, I know everyone knows Limp Bizkit. Just shut the fuck up and go listen to their 2011 album Gold Cobra if you haven’t already. The standout song is Autotunage, which you cannot fully appreciate without listening to the prologue in the preceding song Loser. Other favourites from the album: Douche Bag, Gold Cobra…
    
24. This Is The Life by Two Door Cinema Club: Album Tourist History is somewhat hit/miss.
    
25. Little Bad Girl by David Guetta ft Taio Cruz & Ludacris: True story – I used to think the ‘little bad girl‘ referred to in the song is Taio Cruz. :s
    
26. Charlene Soraia‘s cover of Wherever You Will Go by The Calling.
    
27. LA Mer by Nine Inch Nails: Hey, Linkin Park and Nine Inch Nails – two artists you can always expect to find on my repeat lists. :D
    

Heard anything particularly interesting recently? Hit me up in the comments section.

Yet, it struck me that I hardly know anything about Gates as a person. From my tech quizzing days I know of what he wrote in his books The Road Ahead and Business @ The Speed of Thought – without ever having read the books; I know about his temper tantrum; stories about speeding violations and dates that went downhill. I have seen countless documentaries about him and the tech industry, not counting the ‘faction’ film Pirates of The Silicon Valley.

So when I came across an old copy of Gary Rivlin’s The Plot to Get Bill Gates: An Irreverent Investigation of the World’s Richest Man…and the People Who Hate Him at a book sale, I pounced upon the bargain. The book, published in 1999, is refreshingly free of the retrospective analysis post-dot-com-crash; celebrating The World as Brave and New. Rather than focussing on just a single individual as biographies do, Rivlin turns the spotlight instead on Bill Gates’ larger-than-life contemporaries Scott McNealy, Larry Ellison, and Steve Jobs too. What he excels in portraying is how these men and Gates fed off each other in obsessing “cutting off a competitor’s air supply” and making “supergreat” products.

Rivlin, for sure, is a technology-beat journalist who may not understand the intricacies of software development but to his credit – beyond the perfunctory introductions to any technical topic – he politely steps aside and lets people who do understand express their opinion. This approach might appear biased to you, depending on whose Kool-Aid you have drunk; ultimately though you have to admit that he does a good job of balancing stories from highly polarised camps. Those who demonize Bill Gates will cry out that this book borders on trying hard to restrain itself from fawning over him – but then I think it’s a carefully calculated result arising out how people envied and hated Gates (and still do). In that sense, the tone of the book mirrors reality a lot.

The amount of research put into the book clearly shows. I have heard many wildly unbelievable tales over the years – so has Gary Rivlin, of course, and he tackles this by chasing down the ‘original’ source of each apocryphal story, often with results that tend to indicate that they were manufactured. Again, Rivlin shows great restraint in hardly ever calling anyone a liar outright, preferring to let the reader draw his own conclusions based on the evidence presented.

Over the years, I personally have come to admire and respect him a lot more, moving away from Stallman-esque rhetoric. He is prominent philanthropist and whatever he may have done in the past, he is doing so much more for disadvantaged people in developing countries. I am saddened these days, thus, when I came across the same ad hominem attacks against him (again, especially in the FOSS community) that should have gone out of fashion a decade ago. The Plot to Get Bill Gates reveals the flaws in his character, but so does it also trace the journey of an incredibly intelligent person who matured over the ages. By comparing his contemporaries with him, it highlights how they probably wouldn’t have acted much differently, had they been in Gates’ position instead.

To the many people who know me from my school tech quizzing days: I highly recommend this as a read. You may no longer be actively involved in tech quizzing but I am sure you still cherish reading old trivia. Here’s a book that you guys will undoubtedly like. And – for the whipper-snappers still in the school tech quizzing circuit in Delhi – who knows whether reading the book will help you crack a crucial 10-pointer when you need it most at an event (hint hint Code Wars hint).

Most of you then. I see.

I wanted to clarify this misunderstanding. You see, when I say I watch ‘bad’ films, I don’t mean ‘below average’ ones like The Hangover 2. You may have heard of so-bad-that-they-are-good Hollywood efforts (Snakes On A Plane, anyone?) I am going to make two recommendations of spectacularly bad movies that go way beyond that level of suckiness. Now the truly annoying whipper-snappers among you might ask “But why would I want to watch a movie knowing that it is bad?” The reason is…oh forget it. You people are a lost cause.

For the faithful, my first recommendation is Mega Shark vs Giant Octopus. I assure you this is not a spoof.

Normally, I would appear to act noble by refusing to write a plot summary to prevent spoilers. I don’t even have have to pretend that here, as it’s too hard to summarise the “How?”, “Why?” and “WTF!” of a shark eating a commercial jetliner. Mega Shark vs Giant Octopus occupied a special place in my list of bad movies. Until today, that is.

Behold The Room – my second recommendation – written, directed, produced, and acted by Tommy Wiseau. You just have to see it. It has:

• Drug deals, involving drugs “just leave me alone!”
• Positive breast cancer results
• One (1) reasonably large CRT television thrown out of one (1) window
• Spoons (yes, spoons)
• Badly dubbed dialogue (no, the audio-video isn’t out of sync; it is as badly dubbed as it appears to be)
• Characters starting all conversation with “Oh hi, [character name]!”
• Rooftop chats held in front of a green-screen, instead of an actual roof
• Footballs thrown at short distances

The director / actor – Tommy Wiseau – must have taken pep talks about received in childhood about ‘achieving your dreams’ too seriously. What a guy. He raises $6 million in funding “importing leather jackets from Korea” (lolwut?) and then films in both 35mm film and HD (because he couldn’t figure out what distinguished the two). Reading interviews given by Wiseau (he took the name because he thought it was French for ‘bird’) you wonder whether he is self-aware of how bad his work or genuinely deluded. (Nah, he comes across more as this naive but really ‘authentic’ guy who’s passionate about his dream. I do feel bad how some interviewers set him up to mock him underhandedly.) You can watch a ‘best scenes’ compilation that doesn’t truly do justice, or you could follow my advice and find your rock bottom benchmark for you personal movie rating scale.

Have you seen anything so spectacularly bad that you would actually recommend people to watch it? I’d love to hear your suggestions in the comments section below.

This was still India in its early phases of liberalisation. You know what that means: there were only three brands of chocolate in the market – Cadbury, Nestle, and Amul. That’s right. Back in my day, Amul manufactured chocolate bars. (Are they still around?) They tasted like what I would describe now as ‘communist chocolate’ rations might have been in Soviet Russia. (“In Soviet Russia, the chocolate tastes you!”) Amul also sponsored an immensely popular / horrible show on DD Metro – the name of the show escapes me – where people sent in answers to stupid contests on ‘competition post-cards’ – which were exactly like normal post-cards but 5x more expensive and blue in colour. Young man, don’t insinuate that I didn’t have audience voting in my day. We did; it just took two weeks to find out the results.

They cost the same as SMS voting in reality TV shows these days does, too.

I was young and foolish, I preferred Nestle’s milky chocolate over Cadbury’s Dairy Milk. Bitter chocolate was hard to come by unless you could emotionally blackmail a relative “going to foreign”. (I bury my suaku origins in a very deep pit indeed.) Can you imagine that at one time in India, Ferrero Rocher chocolates were acceptably exotic souvenirs, instead of being found in every road-side convenience store? Hearty laugh!

All I remember about this circus show I attended as a kid is the chocolate bar, and that I chose not to eat it straight away. And that when I reached back home, the bar had been reduced to horrible melted goo. I never made the same mistake in my life ever again. When my parents came to Singapore in February and left a couple of Cadbury Bourneville bars, I (roped in my roommate too) finished all of them off on the same day. Fuck calorie counting. What was I supposed to do – just let them melt and become horrible goo?

***

I mourn the loss of ‘old-school’ circuses in the name of animal rights activism. I may never get to see a real-life Dumbo!

Do you know why I can say with confidence India is a fast-growing economy? Because you no longer find circuses in India* – or in Malaysia / Singapore, for that matter – while you do still find them in many other South/South-East Asian countries. Urban Indians have moved swiftly to sweep their suaku origins under a plush thick carpet, much like I have.

*Unless you’re part of two-thirds of India’s population that still lives in rural areas, in which case you can attend fapfests where impoverished Ukrainian immigrants  (“Gorgeous Russian ladies!” on promotional posters) gyrate sadly to circus muzak.

And when do I think India will ‘get there’, speaking of its economy? When it gets to level of Singapore and has a renaissance in theatre-going culture where the bourgeois can watch nouveau cirque performances at a posh venue, say, like the opulent Marina Bay Sands resort.

Which is exactly what I was up to last weekend, thanks to a Groupon Singapore deal that gave half-off pricing for Canadian circus troupe Cirque Éloize‘s last show of iD in Singapore. This was such a uniquely different performance from any concept of ‘circus’ I have been used to, as a) it’s performed on a theatre stage (there are elements that break the fourth wall, though) b) it’s more like…a play. There are characters. There is a story. The circus acrobatics – if I may call them so – are so intricately a part of the plot. Unlike a play though, there are no spoken lines: it’s like a fusion of mime with hip-hop dancing with acrobatics with parkour. Interactive displays are used to create incredibly vivid and varying backdrops as the plot progresses too; so vivid that it’s hard to believe they are displays or projections at all.

That moment when you see a girl contorting herself into unbelievable positions and scuttering like a spider on the stage floor (and you flinch thinking of how much it would hurt if you tried the same), that moment when a guy riding a bicycle prances around on one wheel around a terrified member of the audience quite possibly praying that his nuts don’t get squashed, that moment when the projections on the trampoline-wall give an illusion of falling apart, that bass-heavy hip-hop track the performance is set to…are all hard to describe in written words.

All I can say is that the standing ovation the Cirque Éloize artists got was very well-deserved. Yes, they are artists, and not ‘circus performers’ – it was that good.

Cirque Éloize iD promotional video

Sixteen artists on stage, thirteen circus disciplines, and the discovery of a world which is new to us, that of urban dances such as breakdance and hip-hop.

I imagined this show at the heart of a futuristic city, where the omnipresence of image causes us to lose our reference points. I sought to create an aesthetic at the crossroads of comic books, science-fiction movies and the rich universe of graffiti.

The decidedly rock, electronic and poetic music, coupled with the presence of video, highlight the show’s playful, energetic, youthful and urban aspects.

In the middle of this surreal megalopolis exists a public place. A public place, as a spot where one can seek refuge and escape anonymity, to express one’s individuality and affirm one’s identity, in order to reclaim possession of public space, and to dance the city…

An area for encounters, a site of passage, a hood where clans confront one another, where friendships are woven. Where love is created, and dissolved.

- Cirque Éloize founder Jeannot Painchaud on iD

***

“It was good. But musicals are so much better! You can buy CDs and listen to them afterwards.”

***

I’m not sure how someone from Marina Bay Sands, Cirque Éloize, or Groupon would react if they were ego-surfing for reviews and came across a rant on confectionery in post-liberalisation India, with the only ‘on-topic’ content being a promotional video they created, copypasta from the circus troupe site, and minimal commentary.

***

Man. I need to stop writing such long-ass blog post titles. Also, this is post number 1337 on my blog. Huh.

(See what I meant by being cynical of my own cynicism? I’m not making this up! I am genuinely that conflicted internally of what I feel about my own beliefs.)

Deep breaths, Banerjee, deep breaths. Calm down. Reach your Zen state. And tidy up your fucking desk.

So, for a break from Sticking It To The Man, I decided to help out The Man instead by writing a guide on cellphone companies and Whatever Else The Title Promised You. This is first in a series of informational posts that I intend to write, which I hope will be useful for transitory residents of the island nation of Singapore – tourists, exchange students, foreign students, expats, illegal immigrants, and pirates.

I don’t promise anything interesting for my regular readers – except for a shocking statistic in the section on mobile data prices and a lone joke about a web telephony service that leverages on a racist Spanish stereotype.

***

The Basics

Singapore’s telecom sector is an oligopoly with three operators: SingTel (government-backed, 46% market share), StarHub, and M1. All three operate a GSM-based network with support for 3G handsets. The only serious implication on this for most visitors to Singapore is that if the current cellphone you own operates on a CDMA-network – as is the case with a few (albeit large) American networks – you will be unable to use it in Singapore. Most modern GSM-handsets come with dual-band / tri-band / quad-band support so they should work in Singapore. Asia, Europe, Middle East, and Africa generally use the same frequency bands; the odd-one-out is America again, so if you’re visiting from the US then you need to double-check whether your handset will work.

Protip: In Singapore, the term ‘handphone’ is most commonly used. People will understand though if you use equivalent terms like cellphone or mobile phones; it’s usually visitors who get confused when ‘handphone’ is used.

The easiest way to get connected is to get a prepaid (or ‘pay-as-you-go’, if you prefer) SIM card. You can buy one from any operator-run outlets, convenience stores (7-Eleven, Cheers, Fairprice…) as long as you have your passport with you. The details page of your passport will be photocopied / scanned for registration purposes. The only advantage of buying at an operator’s own outlet is that you can choose the phone number that you get – and if you have a fetish for specific numbers then you might just turn out to be a lucky bastard. There is no waiting period for SIM card activation.

(India, as always, has insanely strict rules for issuing prepaid SIM cards – forms need to be filled, passport photo and proof of residence is required, there’s a waiting period of 2-3 days. Think about how hard it must be for tourists! I’d be extremely annoyed if I came across equally strict laws in any of the countries I’ve travelled to. )

A new SIM usually costs S$15-20, with S$5-10 calling balance included. In such a competitive market, there’s isn’t much price differentiation among the three operators for basic services such as voice and text, so it doesn’t make much different which operator you choose if all you want are the basics. Typical local call rates range from 8-22 cents / minute for voice calls (depending on time of day) and 5 cents / text (local) or 15 cents / text (international), so calling / texting is fairly cheap for light usage. Take note, however, that in Singapore you are charged for incoming voice calls too at the outgoing local voice call rate; this comes as a shock to visitors from countries where it’s not standard practice to do so. If you expect to receive a lot of incoming calls, you can get the incoming call charge waived by paying a daily charge of 60 cents instead; the procedure for this differs from operator-to-operator but should be included in the start guide included with your SIM. Another thing you should be prepared for is that customer care hotlines are not operated 24/7 and often there are call charges applied to speak to customer care (albeit a reduced price).

Recharge vouchers can be bought at any convenience store or operator outlet. You also have the option of paying for a recharge online via credit card. Although in theory you can buy low-value ‘top-ups’ of S$5 too, I have rarely found these on sale. Top-up vouchers of denominations S$10 and above are available widely. If you are a heavy user, watch out for promotional top-ups: all three operators have specific recharge denominations, say, S$30 for which they give ‘S$130 value’. The way this works is that the top-up denomination – S$30 in this example – is added to your ‘main’ calling balance, and deducted when you make international calls or access data; an additional S$100 is added as ‘special’ calling balance, and deducted for all incoming voice calls and all local outgoing calls. The catch is that the ‘special’ calling balance is time-limited – usually 30 days – and then expires, but your ‘main’ calling balance never affected by time restrictions.

Yes, it is as terribly complicated as it sounds. You need to evaluate your usage and see whether you can make by with ‘standard’ recharges or need ‘promotional’ recharges. More information on individual price plans can be found on the following web pages:

• SingTel ‘hi!Card‘ (This is the only prepaid SIM card that comes in separate 2G and 3G variants. If you want to access data over a 3G network, choose the right SIM. The variants cost the same as far as I know.)
• StarHub ‘Green’
• M1 ‘M Card’

***

Mobile Data Usage

While standard usage (voice + text) is fairly cheap in Singapore, smartphone users need to prepare themselves for bill shock. Standard pay-as-you-go data transfer charge is 1 cent / kB but this is usually charged in blocks of 10 kB, so you end up paying 10 cents for even the ‘lightest’ web page you load. There is no distinction between 2G and 3G data transfer – both cost the same. If your phone is a BlackBerry, you cannot use the standard pay-as-you-go data plans – you need to get a BlackBerry-specific add-on service. Also, all three operators offer ‘prepaid data SIM cards’ with seemingly better rates but be careful of these as they are exclusively for data usage, i.e., you cannot make phone calls or receive texts on them; the data SIM cards are primarily intended for PDAs / netbooks / tablets that accommodate SIM cards.

All three operators, however, run periodic promotions where the charge is reduced to 0.2-0.5 cents / kB. Still, data on prepaid mobile phone plans is expensive in Singapore. To take an example of a fairly common smartphone app like Google Maps, initial load results in a transfer of ~100 kB of data, which works out to 20-100 cents. As you continue using the app, the amount of data transferred continues to pile up resulting in a deduction of anywhere between S$1 to S$5 for using an app once or a standard browsing session!

Some rough estimates for amount of data transferred for typical usage:

1. Browsing 10 pages via Opera Mini: ~500 kB (Using Opera Mini browser instead of your phone’s native browser is a good idea, as it compresses data from the site you want to access before sending it to your phone, thereby reducing the amount of data transferred.)
2. Using Google Maps: ~1-3 MB (~1000-3000 kB)
3. Skype call over 3G: ~600 kB / minute (I believe Skype uses a variable data transfer rate, so your mileage may vary.)
4. Watching a clip on YouTube: 1 MB / 2 minutes (This is, I think, for the lowest quality version – which is the only version the YouTube app on my smartphone supports. ‘Smarter’ phones like iPhones / Androids may guzzle more.)

Fortunately, there is some relief at hand. Here’s a list of special plans that the operators offer:

• SingTel
  • Prepaid data plans: S$1 / 10 MB / 7 days or S$7 / 1 GB / 7 days. If you’re data usage is very light, mostly restricted to emails then the first plan should be enough for you as it is just an additional S$4 / month. However, if you are a regular / heavy data you might have to choose the second plan, and then if becomes quite expensive as it’s S$28 in addition to whatever however much you recharge your main balance.
  • 0.facebook.com (that’s a zero, not an ‘o’): 0.facebook.com is a ‘light’ version of the Facebook mobile website, text-only. Only for SingTel subscribers in Singapore, if you visit the ‘zero’ mobile version, then you don’t have to pay anything for data transfer. Quite handy if you’re a heavy Facebook user.
• StarHub
  • Prepaid data plans: S$2 / 30 MB / 3 days, S$4 / 200 MB / 3 days, S$7 / 1 GB / 7 days. Slightly varied pricing, but the structure is the same.
  • Although I cannot find a reference to it anywhere on the StarHub website, I remember chancing upon advertisements for a StarHub prepaid card that comes with 50 MB / month of data included on a specific monthly top-up. It might bear fruit to ask about this at a StarHub retail outlet, for low-usage customers.
• M1
  • I used to be an M1 prepaid subscriber earlier, and as far as I know, M1 does not offer any data plans to its prepaid customers. There are bolt-on packs listed here, but apparently they are only for postpaid users – or so I was told by M1 customer care.

I am a heavy mobile data user. My current (postpaid) plan comes bundled with free 12 GB of data transfer per month, out of which I use around 1 GB per month. Take a look at the screenshot below to see how much it would have cost me if was paying pay-as-you-go rates – more than S$2000!

I constantly access a bevy of websites – my email, Google Reader, Facebook, Twitter – which adds up over time. (In fact, I prefer to read long text articles on my phone, somehow I can concentrate better reading through a smaller ‘viewport’ than my laptop.) I do, however, use Opera Mini to reduce data transferred. I’m also very navigationally-challenged and resort to Google Maps for directions, and I usually have to keep it running to give me real-time update on my location when trying to get to a new place. I also occasionally use Skype over 3G or browse YouTube via its app. I’d love to listen to online radio on my cellphone too, if only it could last more than a five hours of usage with heavy data usage.

Free Nationwide WiFi

There is one way you can minimise mobile data costs if your phone / device has WiFi support: Wireless@SG (pronounced ‘wireless at SG’). Sponsored by the Singapore government, Wireless@SG offers free WiFi to all residents and tourists at public places throughout the island. You do need to register for the service, and for this you will need to fill out a form the first time you connect to Wireless@SG hotspot. Once you’ve created an account, you can use the login details to sign on to any Wireless@SG location. Watch out for ‘Wireless@SGx‘ connections, as these are usually faster (apart from being more secure). As you can imagine, speeds vary wildly depending on how many people are connected at any given location so browsing during peak times can feel slow; still, the utility of free nationwide WiFi cannot be denied!

Having said that, I cannot my say experience with Wireless@SG has been without frustration. The actual network operation has been assigned to three operators – SingTel, M1, and iCell Wireless. Depending on the location you are at, you will see a network / login page by a different operator – though you can still sign on with an account from any operator. The first time I created an account, I got an icellwirless.net ID which FOR THE LOVE OF MY LIFE I COULD NEVER GET TO CHANGE MY PASSWORD ON. Yeah, it was that annoying when you have a randomly assigned initial password. To make matters worse, it often failed to authenticate when trying to logon. I finally got fed up and signed up for a new Wireless@SG account, this time with / from a SingTel-operated location. From experiences I’ve heard, the SingTel and M1 operated locations / services are on average are better than iCell’s. Leaving aside password reset issues, I have often found randomly unable to sign on to a network – and the culprit usually is iCell.

Note that browsing data over WiFi instead of 3G depletes your phone battery faster. You will also not be able to use the connection on the move. Also, as an additional note of caution, sometimes you may see a network titled ‘Free Public WiFi’ show up in your list of networks to connect to. I don’t know what this is or why this network exists in so many areas in Singapore, but this is NOT Wireless@SG and your device will never successfully connect. Knowing this should save you hours of frustration.

***

Phone Contracts

If you are a heavy voice + text user, you might find ‘special’ recharges enough to last your usage, without having to pay a minimum fixed amount. If you are a heavy data user, however, and planning to stay in Singapore for a while then you should consider getting a postpaid phone contract. Phone contracts come both with or without a handset included – if you already have a phone, then you could opt for a SIM-only contract. Handset contracts – with free or otherwise cellphone included – run for two-year durations (this is a fixed rule). For SIM-only, there are options for monthly contracts that can be discontinued any time you want without a termination penalty as well as fixed duration contracts of 12-24 month duration. The difference between fixed-length and flexible contracts is usually in the ‘extras’. SingTel, for instance, on its student/youth plans offers a free subscription to its unlimited music download service. Similar perks exist for standard plans too.

There are caveats to getting a contract though:

• You can apply for a contract only if your foreign pass (student / temporary worker / work) is valid for more than six months. Yeah, so most exchange students who come for a semester (four months) don’t have recourse to this option and you’ll just have to suck it up with prepaid data plans.
• No roaming or international calling if your foreign ID is a Student Pass. Don’t bother going shop-to-shop, because ALL three operators have this policy. You’re actually worse off than when you were using prepaid, who get both these services. Roaming isn’t a big deal though, as in most neighbouring countries you travel to you can pick up local prepaid cards for the duration of your stay – a lot cheaper even for short stays as roaming rates are very expensive (S$1/min for calls!). International calling is dealt with in a separate section, read on. It seems Singaporean operators don’t trust students to keep a tab on their bill – for good reason. I know friends who ran up bills of S$100-200 in a month.
• Deposit of around S$300 when signing contract. The good news is that deposit is refundable. The bad news is that it’s still not particularly cheap, so getting a contract

Calling / text rates are same as prepaid, though you shouldn’t have to pay if you choose your price plan carefully the amount of minutes you need. Most of the operators throw in generous data plans of up to 12 GB of data transfer per month, the only reason why I’m not hit by a 2000-dollar fee every month! Depending on which country you’re coming from, you might be surprised to find that you have to pay extra for ‘features’ such as caller ID. (I personally don’t it’s worth it to skimp on caller ID, it’s way too crucial on a cellphone.) Usually though the companies waive off bolt-on fees for the initial few months.

Once again, the offerings of SingTel, StarHub, and M1 are very much similar for postpaid plans. If I may be so biased, I would suggest my current provider – SingTel. As the market leader, it is a sponsor for many events in Singapore such as Singapore Formula 1 Grand Prix, Singapore Beer Festival, music concerts, New Year parties at Sentosa, et al – and you’ll often find some perk or the other at every venue / event from SingTel. It also has a comprehensive rewards programme which allows you to earn points for usage over time, and trade it in for bill reductions, new phones, discounts / vouchers at a wide range of retail partners. You get even sweeter deals with SingTel if you’re a student with free music downloads and free tickets for events.

Number Portability

Retaining your exist number is possible if you switch mobile operators but only if you’re shifting from postpaid to another postpaid provider, or from one prepaid to another. (You might need to confirm this for prepaid, I’m fairly sure it’s allowed. Anyway, my point is that you cannot port a prepaid number to a postpaid plan or vice versa, even within the same mobile operator. Sucks, yah.) You need to call up your existing provider to consult the exact procedure they have. Generally, however, the porting is done within two business days. With offerings so similar, there is hardly any incentive to switch!

***

International Calling

Dialling direct to a foreign destination (by adding country code) is a bad idea in Singapore – it’s just too expensive! The cellphone operators are quite smart though, and offer their own Voice over IP (VoIP) services. You don’t need to be at a computer, it works from your normal cellphone. The way they offer cheaper rates is that the carry that voice data to destination country over the Internet, so you only pay for last mile connectivity over cellphone at your and their end. Long story short, you get cheap calls – as low as 20-30 cents per minute. They call these services ‘IDD’ (International Direct Dialling, although strictly speaking it isn’t) and offer two options: a ‘basic’ service with (supposedly) lower quality, based on VoIP; and a ‘premium’ service with (supposedly) higher quality, based on normal phone networks.

The basic, VoIP-based international calling service is offered to select 18-20 countries which shouldn’t be an issue for most users (given the demographics of visitors to Singapore) as all major European, Asian countries as well as USA are covered under this list. To make an international call with the ‘basic’ dialling service, you dial prefix number + country code + destination number, where ‘prefix’ is an operator-specific prefix that you add. Here’s a list, with links to the operator’s website for further information on rates and usage:

• SingTel: 019
• Starhub: 018
• M1: 021

For prepaid subscribers – if you have a ‘special’ balance arising out of a ‘special’ top-up (see previous information on this) – then the balance will be deducted from your ‘special’ balance, thus leaving your main balance intact. This is really useful if you make a large volume of international calls as the special top-ups give S$100 or above to be used in a month. Postpaid users – if you have international calling facility, as I mentioned, student pass holders don’t – have these calls count towards their local usage or have these charges shown separately.

I regularly used M1′s ‘basic’ IDD service when I was a prepaid customer with them. Never once during a conversation did I feel any lag, noise, or any disturbance that hindered the flow of the call. To me, the ‘premium’ service just seems like a ploy by The Man to con gullible people into buying superior service where no advantage exists; my sympathies if you’re forced to used it because your VoIP calls to your country are not supported.

VoIP for International Calling

Foreign/exchange students on a postpaid students – or people otherwise without international calling facility – will have to figure out alternatives, as we are not allowed to use even the basic IDD service. Most buy ‘calling cards’, which I find stupid as you end up paying twice – once to the local phone number you need to dial for the card, and then the amount deducted from calling card value. My suggestion would be to not go for this option.

Jajah

Jajah.com is the VoIP service that I currently use to make international calls. Unlike most other services that require you to install software on your computer / phone and require that the destination party also has the same, Jajah works directly from phones. The concept is simple: set your current phone number on Jajah, enter the phone number you want to call on the Jajah website / app / mobile site, and Jajah then rings your phone as well as the destination party. (Behind the scenes, Jajah transfer voice data over Internet and you only pay for the last-mile termination on phone networks.) All you need is to pick up and talk! Obviously, this frees you from being tied down to your desk when talking, and doesn’t require large data transfers over mobile.

Jajah’s calling rates are cheap yet still relatively higher than a majority of VoIP calling services. I find the 1-2 cent premium worth it as long as I don’t have to rely on a spotty internet connection. Voice call quality is usually good with slight lags at times, although if you’re trying to call a number that requires you to key in numbers (customer helplines, for instance) I sometimes find that Jajah is unable to send the DTMF tones required to register your input. Redialling the number might help. Also, Jajah starts billing you the moment you pick up your phone and wait for the other party’s phone to ring – so merely dialling a number and picking up Jajah’s callback incurs a (small) charge. Which is standard, if you think about it.

Texting om Jajah is a big hit-or-miss. Sometimes it delivers texts, sometimes doesn’t. Singapore’s operators offer low text rates themselves so this is a non-issue. Conference calls and scheduled calls can also be set up via the Jajah website, as well as local number aliases for your contacts that you can call directly from your phone. Actually, Jajah offers many different mediums to initiate a call. It also has opt-in pre-call advertising supposedly pays you for listening to a commercial before your connection is completed but the payout are very small.

I’m fairly happy with Jajah’s call products; what I’m not as happy is with their customer support. Their support forum seems practically abandoned since 2009 / 2010, with spam posts going unchecked. The other option is to email customer support – which I have done thrice so far without ever getting a reply from their ‘dedicated support engineers’: first, to change the billing currency of my account from British pounds to Singapore dollars; second, to ask why DTMF tones don’t work sometimes on calls; third, to complain about isolated incidents when I my phone rang but the called party’s didn’t despite the call ‘connecting’ according to Jajah. The FAQs / how-to’s cover basic queries, though. Despite a seeming lack on interest demonstrated by poor customer support, none of my issues have been show-stoppers and it seems that they are working on new products.

(Jajah was bought out by Spanish telecommunications giant Telefonica. Now that it’s owned by a Spanish company – and you know how Spaniards pronounce ‘j’ as ‘h’ [roughly] – I expect Telefonica executives refer to that division as ‘Hahah’. Must be the laughing-stock of the whole company; the nerds who get ribbed by the jocks at company events.)

Skype

Wait, don’t leave yet! Yes, I know everyone knows about Skype but only for freebie calls. It doesn’t have to be that way! Pay-as-you-go rates for calling phones from Skype are 3-15 cents / minute, with cheap subscription rates for specific countries available too. In addition to this, I also bought a SkypeIn number with a London area code – $15 for 3 months – which I use in conjunction with call forwarding in Skype that allows my UK friends to call me easily, even if I’m not online. Whenever anyone calls – either by dialling my UK number or from within the Skype software – I get the call transferred to my phone and chat with them on it.

For some reason, my netbook (a Lenovo S10-3c) internal microphone does not work with Ubuntu despite trying out the workarounds mentioned in this bug report. Thus, I am unable to use Skype on Linux for voice chats, forcing me to reboot into Windows every time I want to have a long conversation that I want to conduct free through Skype. Which is very annoying.

Off late, Skype on Windows has been particularly bothersome too as it doesn’t log me in – not straight away. The first time I launch Skype after a fresh boot, it just gets stuck on the login screen and then stops responding. I need to kill the process, and then launch Skype again – and then it logs in straight away. I have no idea why this has to be so but it has become a ritual for me now as the only way to get Skype working on my PC.

Thus I grew to prefer to talk on my cellphone rather than being tied down to my computer. Using Skype on my mobile is a hit / miss. Thankfully, my post-paid data plan means I don’t need to worry about data usage. You can always Skype over WiFi of course. Get Skype for your phone here. I have a Nokia 5630 XpressMusic S60 phone that isn’t officially supported, and yet the Symbian app works fine. What’s annoying is that Skype doesn’t allow you to download the mobile app to your desktop, and when accessing from your phone browser blocks any downloads from ‘unsupported’ phones. I got the .sis installer from a friend who had a Nokia N95; a quick search throws up multiple results for Symbian installers for Skype – try them! iPhone / Android users should find the app install task fairly hassle-free.

Even though I get a ‘full-strength’ 3/3.5G signal in my hostel, I can still never seem to use Skype over 3G unless I walk to this very specific spot outside a cafeteria near by hostel block; otherwise, the call is too distorted / unstable. I study electronic engineering and it beats me why this happens with practically the same signal strength! Maybe this is an isolated issue with SingTel.

Bonus tip: Sure, Google Talk Voice Chat offers voice / video calling for free between Gmail users. What you may not know is that if you change you country to ‘USA’ in your profile, then you can even call landlines or cellphones in the US for free!

***

Yeah, I don’t think anyone’s going to read all this. Oh well. This is way too long to copyedit and I don’t have time, so if you come across any errors – copy or factual – do point them out!

I find it funny that the owner of Segway Inc. died when he drove a Segway off a cliff.

Segway segue segway segue…

***

Every Vegas movie has a shot of a guy sticking his head out like a puppy from a car, awestruck by the dozens of neon signs and a thousand bulbs flashing by. Govinda cavorts around in the Swiss Alps, suspiciously singing and dancing with a bunch of schoolkids.

As long as you give moviegoers an armchair vacation, it adds pizzaz to an otherwise lacklustre script. This is what I found myself thinking after watching The Hangover Part II, in Bangkok, the week it released in theatres. I count myself lucky that I got to see the filming locations. Hell-yeah I was excited. A quest to complete the trail and discover Bangkok at the same time!

Armed with these guides from Travelhappy and CNNGo, I started off at the Sky Bar and Sirocco restaurant on the 63rd/64th floor of Lebua Hotel. Didn’t go to the top – for one, the cargos I was wearing wouldn’t pass their ‘smart casual only’ dress code. Also, prices – aptly for a place named Sky Bar – are sky-high: a drink costs about 500 baht (US $17)! It is supposed to have one of the best views of Bangkok (Bangkok doesn’t, yet, have a space needle like structure they can use to gouge tourists), so if you’re nattily dressed and have cash to spare, this one place to check out even if you aren’t a Hangover 2 fan.

Many generic-Bangkok street scenes were filmed in Bangkok’s Chinatown, known as Yaorawat. Much of the lanes look the same as the next one; still, if you want to see the specific lanes where they filmed then these are Soi Phiphasya 1 and Soi Plaeng Nam. Chinatowns are a fascinating place in any city, Bangkok is no different. You can lose yourself in its sprawling Yaorawat district for a whole day and never get bored with watching life pass by.

The Chao Phraya river is very much the lifeline of Bangkok. It flows north-to-south through the city, a major traffic-way that can often get you to your destination faster than Bangkok’s notoriously congested roads. As you take a Chao Phraya Express ferry down the river, you’re sure to find ‘longboats’ – small, private boats for hire with a long shaft connecting the engine to the propeller (hence the name). The Wolfpack travelled in one of these, in the scene where Stu strums a guitar lamenting their night epicly gone wrong. The speedboat scene in the final act is on the same river, though I never saw one myself. Perhaps this is only a possibility if you know international gangstas. Also on the Chao Phraya river, close to the Memorial Bridge pier, is the riverside café where Alan starts playing on an arcade machine – that’s Nang Noun Restaurant. Given the prominent role the riverway plays in Bangkok residents’ daily routine, it is no surprise that so many scenes were filmed there.

A short walk from Sukhumvit MRT – a district full of high-rise fancy hotels and tourist-packed shopping centres – is Bangkok’s infamous Soi Cowboy, a lane full of go-go bars. (‘Soi’, in case you were wondering, means ‘lane’ in Thai.)

I came here to see the place where Stu finds out he has demon/semen inside him. ‘Siam Siam’ doesn’t actually exist; it was a modified entrance to Cactus Bar. The interior shots were filmed at the Tilac, across the lane.

When I visited Soi Cowboy early evening, the *ahem* trade hadn’t quite started, but I could already see expectant wolfpacks and Dirty Old White Men circling like vultures. The girls themselves took this time to gather and have a big family-style dinner together before their work started.

I didn’t visit Ancient City, a theme park that was christened ‘Ching Mei Monastery’ in the film. (Don’t confuse ‘Ching Mei’ with ‘Chiang Mai’, which is a city about 700km from Bangkok! Any tuk-tuk driver offering to drive you to Chiang Mai is conning you.)

I don’t remember whether I went to Soi Sukhumvit 7/1, where the riot scene outside ‘White Lion’ was filmed, as all streets in the general area of infamous Patpong look very similar (see picture above). Apparently, Bill Clinton visited the set here when filming was going on; this is an opportune moment to make a  ‘what was Bill Clinton doing in Patpong’ joke. You can see pictures from during Hangover 2‘s filming at this forum.

And yet, somehow, seeing these places with my own eyes diminishes the exoticness, the unattainability that Bangkok was chosen as a setting for in the first place. For someone who hasn’t visited Bangkok, the narrative remains reasonably fresh because your eyes can feast on ‘something new’ (no, girls, I don’t mean Bradley Cooper). I attribute The Hangover 2‘s box office success to this. Roger Ebert seems to think the film is a deliberate attempt to hurt Bangkok’s tourist traffic by playing up the shady parts of the city but you’d be surprised how many in the audience will see it as an advertisement rather than a warning; a place to have their own bachelor party.

(This is the bit that you can skip until you encounter the next section break.)

Ebert, bless the poor old sod, seems to be stuck up about that and ‘offensive’ parts of the movie. What truly makes this movie suck is the derivative script. Cracked.com has an excellent analysis of how the trailer for The Hangover and The Hangover Part II are essentially the same, with cosmetic substitutions. I was being overly optimistic when I hoped the full-length feature would be any different. The sequel is two minutes longer than the original, and pretty much the same with a new set of jokes. A toast at a secluded location. Time-lapse of the city skyline. A flash montage. Monkey instead of baby. Quest, find-Teddy, what-do-we-do, blah blah. Roofies, no wait, muscle relaxant. (How the fuck does that explain temporary amnesia, again?) Even the way they ‘find’ a solution is the fucking same – Stu has an epiphany and wrestles a phone out of Phil’s hand, who is delivering bad news. They even brought Sasha Barrese back to gnash her teeth and spit out “Where. Are. You. Guys.”

Let me ask you this: I can understand a bride’s father allowing a sunburnt groom, but do you honestly believe an Asian bride’s father, who only a couple of days ago compared the prospective groom to rice porridge, not lose his cool when he finds his virtuoso son is missing a bloody finger?

(Fucking Fast Five put in greater efforts to make an original film. Granted, they took it to the extreme of actually cutting away from a race and showing homoerotic tension between Vin Diesel and The Rock instead but you have to applaud them for trying.)

The element of surprise that made the original a delight is completely lost. Sure, in The Hangover you could be assured they would find Doug – this is a Hollywood movie after all – at the end, and yet you had this aura of mystery that you would never really find what went down. Until…they brought out the still shots over the credits. When Stu exclaims oh-dear-lord in Part 1, your reaction is the very same! When they pull the same trick in Part 2, you are not surprised any more. Neither, it seems are the actors, who copy scenes like zombies. Lame, lame, lame, just fucking lame.

Ken Jeong and Zach Galifianakis are the only ones that redeemed this movie for me. Any exceptionally good scene that had me belly-laughing – like the scene where Alan starts crying :D – were cut short by the plot that left me with an always-present feeling of déjà vu.

***

You know what, I am going to take the high moral ground here. It’s because of non-discerning viewers – the kind that goes out and buys Chetan Bhagat books and ‘likes’ them – are the reason for this recent rut in Hollywood productions of sequels and generic superhero movies. Fuck you all. Sure, Chetan Bhagat, Hollywood threequels, and Call of Duty: Black Ops all contribute to the economy but that still doesn’t stop them from being a piece of shit, quality-wise. McDonald’s and gourmet restaurants both have their own place under the sun, but you are deluding yourself to think a Big Mac can ever match a gourmet meal in quality (if not quantity).

No, there is nothing snobbish about not finding a Chetan Bhagat book or a run-of-the-mill Hollywood movie ‘awesome’. You, non-discerning viewer, is the sort of person who lists ‘watching movies’ as a hobby just because you catch the latest blockbusters or have a built a movie collection through torrents. ‘Watching movies’ is a recreational pastime that practically everyone in the civilised world indulges in; it only becomes a ‘hobby’ when you learn to separate the wheat from the chaff by watching the truly spectacular stuff – Kurosawa, Kubrick, Truffaut, et al. At the other end of the spectrum, you will also need to watch spectacularly bad stuff churned out by Tom Six, Uwe Boll and the countless shitty Child’s Play or Friday The 13th sequels to understand why they went wrong. You will need to watch truly loopy stuff – like Life Aquatic of Steve Zissou or Grindhouse. True appreciation will not come by just sitting down and watching Rashomon one day. Over a period of time, you’ll learn the tricks of film storytellers: the use of background score for mood, Eisensteinian montages, in medias res…

When you watch that many movies, you stop getting surprised by standard tricks. I start anticipating the next plot move these days when I watch a movie. It takes ‘something different’ to delight me. And when The Hangover Part II comes along with absolutely nothing that cannot be guessed, I feel betrayed and unsatisfied. I never used to read reviews from professional critics a few years ago because I always found their opinions at odds with mine, and I didn’t want to spoil my experience with a review I wouldn’t eventually agree with. Now, however, when I say I found a movie ‘average’ or ‘bad’, I mean it on an expanded scale where the baselines of ‘good’ and ‘bad’ are further apart. My ‘average’ could be good for you – like a less-read person who likes Chetan Bhagat – but if you start arguing about merits with that background and call me a snob, I’m going to punch you in the face. Because I’m a cynical asshole (more on this a couple of sections below).

***

A couple of readers have asked me why I have stopped writing movie reviews of late. Depends on whom you are writing your blog for. If you have 20 readers – all friends – who value your opinion then power to you, by all means go ahead. Just remember that apart from them, nobody really gives a fuck about what you felt about a movie. There is no point writing about – unless you are doing it for yourself, in which case power to you – and especially no point summarising the plot. If your friends usually just catch the blockbusters, that’s what they’ll do. If they are avid movie watchers, then they already know what is being talked about and don’t need to read it. (I’m assuming by ‘friends’ you talk to them in real-life.) Even with a reasonably popular blog like mine, I understand that most of you don’t really care two hoots about my movie reviews. Those who know me, already hear about it on Facebook / Twitter – and usually a one-liner from a friend plus discussion is enough to swing people either way.

I realised that by continuing to write long, analytical reviews I was being hypocritical. At best I just skim-read film reviews on friends’ blogs because honestly, people just want to get an idea of what the person felt rather than a thesis that may warp their own perceptions. I do not think this is just me; I am certain most of my regular readers do the same. When people want their perceptions warped, they read a professional critic.

Thus I have decided not to write film reviews unless I have something unique to say. No matter how much I liked X-Men: First Class, you won’t see a review from me. I wrote this review because I had on-ground experience to share, and elaborating on why I didn’t like Hangover 2 when most of my friends did; the latter is also the reason why I reviewed The Social Network and followed up on it. Whenever I do review films with seemingly nothing very unique to add – like for Super 8 (partly, because I saw this earlier than in most countries as Singapore is ahead in timezones; I will do this for any movies that I get to see ahead of its release date in India as most of my readers are Indians) or Source Code – I keep it short. I try to talk about how I felt, rather than a plot summary or other fluff. I trust you guys are smart enough to look up IMDb if you want to know the actors in the movie or the studio that made it. I will make exceptions for old films, as long as they are comparatively less-known. Same rules on succinctness and uniqueness apply.

I am applying this philosophy to everything I write these days. As long as you dish out content that is unique and properly edited, people will read it even if it’s 3000 words.

***

The mid-season finale of South Park’s Season 15 – You’re Getting Old – resonated deeply with me. If you don’t watch / used to watch South Park then it’s pointless convincing you to; regular viewers of the show – this is a must-watch, the most mature show South Park has produced. Which is saying something because the episode is full of poop jokes.

How apt the timing of that episode has been. I know I am turning into a cynical asshole and I have barely stepped into my twenties. I want to be able to write like this and this. Instead of the stereotypical “totally, like, finding myself in Thailand”, I find myself more disillusioned of life in general and everybody in it in particular. Suddenly the works of Alex Garland, Chuck Palahniuk and their ilk appeals so much to me. The transition hasn’t been drastic from Douglas Adams to this, for he made a career out of taking the piss out of everything. At least he was good-natured about it. Worse is that I am cynical about my cynicism, the ‘manufactured’ cynicism of these authors…I am sneering at my cynicism towards my cynicism and so on.

A downhill spiral. I really am seeing and hearing shit everywhere. The voices inside my head tell me that I am going insane.

***

“You know, you are going to turn out to be one of those guys who completely loses his shit and goes on a shooting rampage. And people are going to say ‘But we thought he was only kidding!’”
“I never have said I’m going to go on a shooting rampage, even jokingly!”
“Yet, when you do, you are going to refer to this day as the day the idea got cemented in your head.”

***

I fear I’m turning into the pretentious fuck who will pipe up in a Thai restaurant in Delhi / London saying, “Yes, but this doesn’t really compare to that corner-side restaurant in Silom. [looks away mistily]“ Or the countless times I will probably say, “Ha, this is but pale imitation, tweaked to suit Western palates. Real Chinese food is totally different!” There will be – at least initially – wow-tell-us-more novelty as the dinner conversation gets steered towards tales from far-off lands, which will soon turn into a simmering why-won’t-he-shut-the-fuck-up-about-his-travels resentment. Why, indeed? Because there will always be at least one starry-eyed person sitting at the table, and a speaker willing to relive moments.

Or maybe I’ll become on of those more subtle pretentious fucks who doesn’t actively go around publicising where he has been, only to drop in a carefully timed hit-and-run comment in a discussion about a foreign country that only someone who has ‘been there’ can. Eventually, people learn to live with you either way, as “that grudgingly-sufferable know-it-all bastard”.

Of course, the real reason you people will feel resentful is because you wish you could switch places, be the person who has all those visas to show on his passport. The person who could tell those stories. No, I’m not rubbing it in; this is that emotion called ‘jealousy’ that Jesus warned you about.

Look at you, seething already at my arrogance. Yes, maybe now’s the time to stop reading to my blog. “That’ll teach him!” Look at some of you, mollified by this self-aware criticism. (That was the plan all along!) Look at me, already thinking up lines like “I was young and foolish back then” too speak embarrassedly if this article is brought up in the future.

I know that some of you are thinking I am…mocking (for the lack of a better word)…by listing out your possible reactions.

I know that some of you are thinking that I enjoyed anticipating that you would think that I am…mocking (for the lack of a better word)… by listing out your possible reactions.

I know that some of you are thinking…

Perceptions of time and pacing makes a make or break whether you enjoy a movie, or a book. When looking up running times for JJ Abrams’ Super 8 I apparently looked up an incorrect source which said it was ~130 minutes long. Turns out it’s ~110 minutes long – not a massive margin – but the oh-lehrd-this-is-two-hours-long mental block is a hard one to get over. When your bladder has to endure half-an-hour of commercials before a movie starts and no intermission, you kenna start planning ahead: save the RunPee ‘pee time’ guide as an offline page in Opera Mini, book aisle seats (often pisses off people you go along to watch the movie with), order the regular-size Pepsi instead of large even though as the guy behind the refreshment counter thinks you’re cheap because as he always tells you “large is only 20 cent extra!”, practice Zen meditation, et al.

What I’m try to saying is, when I was watching Super 8, I thought it was going to be extra-long, and even though it didn’t turn out to be so I still felt it was long, which means the pacing is slow as treacle tart flowing downhill. It is a gritter version of E.T. the Extra Terrestrial and yet at the same time felt like a PG-13 version of Battle: Los Angeles…which is saying something because Battle: LA itself is a PG-13 movie.

The hype surrounding Super 8 was so huge that maybe I expected too much of it. It’s not as bad as monster-disaster movies go – Super 8 certainly has its moments thanks to the kid actors (and the cutesy ‘short film’ they show over the credits) but in the final act it chooses too many Hollywood plot clichés for my liking. To compare with another JJ Abrams production, Cloverfield tried a fresh concept and (spoiler) wasn’t above killing off every single protagonist.

Super 8 is not bad, it’s B- movie but I still feel let down.

When I saw the trailer for Source Code, I expected it to be typical Hollywood trash that would throw in more computer mumbo jumbo to barely hold a plot together. I was wrong. Duncan Jones – of Moon fame – spins a yarn that will keep you engrossed and make you think of existentialism once you exit the theatre. Much like Moon, Source Code is essentially about human choices and philosophy rather than a straight-out beep-boop sci-fi story. Calling Duncan Jones’ films merely ‘sci-fi’ films is a big injustice to them.

Jones seems to be using Chesney Hawkes’ The One and Only as a leitmotif in his works. I pointed out how in Moon he used that song to amplify the isolation of Sam Bell’s character. In Source Code, he uses the song too – this time to subliminally message that Christina (Michelle Monaghan’s character) could be the one true love for Cpt Colter Stevens (Jake Gyllenhal’s character) as that’s her phone ringtone. The repetitive use of flashes of Chicago’s Cloud Gate – and the eventual ending of the movie – make sense in this context!

There is no force on Earth more powerful than the will to live.

- 127 Hours

I didn’t enjoy Danny Boyle’s Slumdog Millionaire as much as the next guy did, but boy does Boyle make good cinema in his latest film 127 Hours. For me, the most memorable moment was when the plot moves on to the second day of his entrapment. James Franco is thrashing around frantically to free his arm – but the soundtrack used for the scene is Bill Withers’ Lovely Day. The contrast of emotions is so stark that it jolted me upright; it’s almost as effective as a well-timed “Boo!”

Seriously, check this film out. Also, the song is lovely.

(I was extremely annoyed by the some of the other patrons in the theatre where I watched this as they kept laughing throughout the film. Have they no humanity?)

****

Watching 127 Hours reminded me of another film – British sci-fi flick Moon. Moon is also a primarily one-man starrer (Sam Rockwell) that revolves around a similar theme of a man’s will to live and survive against all odds. What really made me join the dots is how Moon too uses music cleverly to juxtapose contrasting ideas by playing Chesney Hawkes’ The One and Only (he played at Surrey University!) in scenes where the character Sam Bell is shown to be alone but [redacted to not reveal plot].

You think you’ve heard epic movie soundtracks? Wait till you hear Clint Mansell’s compositions for Moon; they will fucking blow your mind. Welcome, to the Lunar Industries.

And even though no AI computer in science fiction is going to ever top 2001: A Space Odyssey‘s HAL 9000, in my opinion Moon‘s Gerty comes close to greatness. For he does what HAL doesn’t – Gerty goes against his ultimate masters, programming, and mission objectives to help out a human Sam Bell purely out of what appears to be compassion.

There’s a scene where Gerty is upset to learn Sam Bell is sad and ‘cries’. It’s a simple transition from a concerned smiley to a crying smiley, and yet it communicates volumes about the bond between man and machine.

1. Richard Cheese: If you’re a fan of Weird Al Yankovic’s parody songs, you’ll probably love Richard Cheese and his band Lounge Against The Machine’s jazz covers of contemporary rock songs. Without having the change the lyrics, Richard Cheese conjures hilarity simply by changing the genre of the song! Here’s their cover of Nirvana’s Rape Me.
   
2. Amon Tobin: I can never work on my netbook without being plugged in listening to something. Amon Tobin’s ambient beat are perfect for this purpose; I can always leave these albums on loop when I don’t want to listen to music with lyrics. My favourite? Four Ton Mantis.
   
3. The Blue Van: I first heard of them after they were featured in the ‘Meet the iPad‘ commercial. I won’t say all their music is on the mark, but they have a couple of their blues-y tunes are nice to listen to – like Product of DK and There Goes My Love (the song in the iPad ad). Even though the latter’s music video isn’t anything special, I quite like the blend of a photo slideshow and concert videos.
   
4. Renato Carosone: Yolanda Be Cool vrs D’Cup’s We Speak No Americano is nicely done remix; again, the music video with its faux retro look and cute little storyline made me enjoy the song more. Nothing holds a candle to Renato Carosone’s original Tu Vuo Fa L’Americano.
   
5. The Used: I came across the song Pretty Handsome Awkward by The Used in this fan-made Transformers short clip by Alex Semenov. (It’s the last song that is used in that clip. Astonishing how an amateur animator could go and create something that good!) It’s a laughable song and I wouldn’t have given it much credence, but that Transformers film just made the song 100x cooler. :)
   
6. Lo Fidelity Allstars: Battleflag sort of grew on me at my work last year, as it was a test video for a video rendering project at my part-time work. Catchy electronica tune.
   
7. The Submarines: Modern Inventions isn’t their best known song by a long shot. The Apple connection shows up again as one of their songs was used in the iPhone 3G / 3GS commercials. I swear I didn’t know this until I started writing this post! How coincidental to have two such songs (the other being from The Blue Van) is the same list. This couple band’s sweetness brims through in a way few others do.
   
8. Infadels: I’m not a fan of their biggest hit Love Like Semtex, butStories From The Baris a passably-okay song that I don’t mind listening to multiple times when it comes up on shuffle.
   
9. Ambulance LTD: This would be a fresh sound to most readers of my blog, if I may be bold enough to say so. Ambulance LTD belongs to the shoegazing genre, which I’m sure most of you won’t have heard of. I absolutely love their EP New English to bits. The dreamy nature of their songs totally hooks me in.
   
10. Eddie Vedder with Nusrat Fateh Ali Khan: Not an artist that you can check out per se as I believe The Long Road was a one-off collaboration. This one’s from the film Dead Man Walking. (Thanks to Pony for sharing this with me on Spotify.)
    
11. Nancy Sinatra: Frank Sinatra’s daughter. See Bang Bang (My Baby Shot Me Down).
    
12. Girl In A Coma: For What It’s Worth, is mentioning two artists featured in Kill Bill in succession a giveaway?
    
13. The Dandy Warhols: Choosing just one song out of their collection to showcase is so hard! Bohemian Like You is my choice, their most popular track by far, but The Last High and We Used To Be Friends are worth a listen too! In fact, there’s a fair chance you’d have heard them in TV or films earlier.
    
14. Barenaked Ladies: You’d have heard the Barenaked Ladies without hearing of them if you follow the sitcom The Big Bang Theory; this is the band featured in the TBBT theme song. Wind It Up isn’t one of their typical sounding tracks, inasmuch as it isn’t as humourous (not in the Weird Al sense though) as many of their other songs.
    
15. Rachid Taha: I tend to discover a lot of artists from film OSTs. Rachid Taha’s Barra Barra, which I first heard in Ridley Scott’s Black Hawk Down (IMO, one of the best battle movies of the 20th century), is a fusion of Western rock with Algerian raï. Exotic!
    

Do explore more tracks by the above artists and tell me what you think if any particularly catch your fancy. Fire away in the comments you’ve any recommendations of yours to make too!